Originally from Dublin, Pamela studied Theatre, English Literature and Russian at the University of Glasgow before completing an acting post grad at the Academy Drama school in London.  

Since graduating she has toured extensively throughout Europe, the UK, and Ireland, playing all the female roles in Two (London Production Co.), Jill in Come on Jeeves (Ian Dickens Productions), Pegeen in The Playboy of the Western World (Coyote Productions), Cleopatra in Antony and Cleopatra (Dublin Shakespeare Society) and the Provost in Measure for Measure (Fortune’s Fools). She is a frequent collaborator with the Beyond Shakespeare Podcast who specialise in producing full cast audio productions of early English drama, everything but the Bard!  

 Pamela’s previous credits with Unclouded Moon Productions include Aileen in Body and Blood at the Lion and Unicorn, The King’s Head and Liverpool Irish Festival.  

 She learned the art of foley to appear as Sylvia in The Gin Chronicles at Sea at Edinburgh Festival, she also performs stand-up comedy and her immersive work includes playing Blake and Alex in The Stranger Things Experience, many varied characters in murder mystery dinner theatre and Polly at Benjamin Franklin House.  

Neal trained at The Manchester School of Theatre (MMU), graduating in 2008. He also works as a writer and stand up comedian and he won a Wanstead Fringe New Comedy Award in 2019. Neal is an Associate Actor and founder member of 1623 Theatre Company.

Theatre includes:
Mamma Mia! (National & International tour); First Touch (Nottingham Playhouse); Peter Pan (Storyhouse Theatre); Jekyll & Hyde, Peter Pan, Solace of The Road (Derby Theatre); Sherlock Holmes & The Crimson Cobbles (Chipping Norton / Salisbury Playhouse); Othello (English Theatre Hamburg); Lost Lending Library (Punchdrunk); Calculating Kindness (Undercurrent / CPT); The Snow Queen (Theatre by the Lake); Hamlet (The Watermill); Pocket Henry, Pocket Merchant, Edward III (Propeller Theatre Company); Swallows & Amazons (National Theatre Bristol Old Vic / West End); Beachy Head (Analogue Theatre Company); Henry V, The Conspirators (The Orange Tree Theatre); Don’t Shoot The Clowns (Fuel / BAC).

TV and Film includes:
The Devil’s Advocate (SKY); Emmerdale, Coronation Street (ITV); Raving Arizona (National Geographic); A Girls Guide To Depravity (HBO).

Lizzie Mounter trained at RADA. Her recent theatre work includes – Who Cares (U.K. Tour), Soldier On (International Tour), Who Cares (Summerhall, Edinburgh Fringe), Soldier On (The Other Palace Theatre), Much Ado About Nothing & The Importance of Being Earnest (RADA Studios), Soldier On (Playground Theatre and U.K. tour), Who Cares (The Lowry), Hamlet (Cockpit Theatre)
Recent television work includes – Save Me Too (Sky Atlantic)
Feature Film – Dinosaur Prison (Jagged Edge Productions)
Short film – Withheld (Blue Cedar Films), The Effect (Met Film School)
Radio & Audio- Hartland (BBC Radio 4) Who Cares (BBC Radio 4) Royal British Legion (Online Voiceover)

Finlay is currently in his final year of actor training at the Arts University Bournemouth. Recent work includes, Spring Awakening as Moritz, Antony and Cleopatra, and Lorenzino in La Casa Nova. Finlay recently wrote, produced and acted in his own short film.  

Lorraine completed an MA in scriptwriting at City University in 2012. Her graduate play, Unclouded Moon, was produced at Brighton Fringe in 2014 and shortlisted for Best New Play. Her second play, Body and Blood, was performed at The Kings Head, Islington and Liverpool Irish Festival in 2017, receiving four-star reviews. Her screenplay, Frankenbear, was shortlisted in Underwire Festival’s script competition in 2017. Her short play Pity Party was broadcast on BBC Radio in 2021.

Deirdre is a theatre director who enjoys directing plays that place women’s stories at the centre of the narrative. Her directing work includes the dark comedy, Boot at the Lion & Unicorn with PigWig Productions and One Minute by Simon Stephens at the Tristan Bates Theatre. Deirdre was associate director on UK tours of Antigone and Lysistrata, and assistant director on Take On Me with Dante or Die, Dr Blighty with Nutkhut in the Brighton Festival, and Home Fires – a site-specific show at Newhaven Fort with Inroad Productions and Zap Arts.  

A graduate of Intermediality studies at the University of Edinburgh, Frankie completed research on the interconnection between Theatre and Film through digital platforms and screens within theatre design, distribution, and spectatorship. Concluding that embracing technology presents new possibilities for how we define, engage with and access theatre, Frankie is keen to explore these themes within her production and design work.

Phyllida studied Design at Royal Central School of Speech and Drama. 

 Her recent work as a designer has taken her to the Edinburgh Fringe with Babolin Theatre. 

Alongside design, she acts as a Clown, Puppeteer, and Animator, and has recently appeared in the short film: Derelict Musing (2024).