Victoria Yeates made her Royal Shakespeare Company debut as Imogen Holst in Ben and Imo by Mark Ravenhill. Victoria appears as Bunty in the Fantastic Beasts films, The Crimes of Grindelwald and its sequel, The Secrets of Dumbledore. She is well known for playing the role of Sister Winifred in Call The Midwife (BBC), with other television credits including A Discovery of Witches (Sky). Victoria’s other theatre credits include: Jean Harlow in Michael McClure’s The Beard (Old Red Lion), Big Love (The Gate), The Crucible (Queens Theatre Hornchurch/ATG tour), Don Juan Comes Back From The War (Belgrade Theatre), Wuthering Heights (Birmingham Rep/tour), Rookery Nook (Menier Chocolate Factory), The League of Youth, Private Lives (Nottingham Playhouse) and The Dogwalker (Jermyn Street). Wormholes is her first one-woman show.

After a long career as a national newspaper journalist, Emily branched into writing for television and stage in 2016. Her first play ‘Doing Well’, about the mental health crisis affecting young people and its links to social media, took a satirical swipe at the cult of influencers. It was a finalist for the Liverpool Hope comedy playwriting prize in 2019.

She is currently working on a screenplay, a novel, is ghost-writing two books and working on another play about the climate crisis and the men’s rights movement.

Wormholes enjoyed a sold-out two-night script-in-hand reading at The Other Palace theatre in the West End (produced by Keith Merrill) in 2022 and was longlisted for The Bruntwood Prize that year.

Scott’s major credits include: ‘Jab’ by James McDermott starring Kacey Ainsworth, ‘Cut The Crap’ with Sharon Osborne, ‘Toxic’ starring Nathaniel J Hall, ‘Buff’ by Ben Fensome (winner of Playbill Pick of the Fringe at Edinburgh Festival 2023) and Offie-Award winning ‘Country Music’ by Simon Stephens. Last year he was nominated for Best Creative West End Debut at The Stage Awards for ‘Rose’ by Martin Sherman, starring Maureen Lipman.

Leah is a Performance Designer for stage. She trained in Fine Art at Manchester School of Art. Her credits include Banging Denmark (Finborough Theatre), Jab (Finborough Theatre), and Costume Blood on Your Hands (Southwark Playhouse).

Jodie trained at RADA. Lighting credits includes: A Christmas Carol (Brewhouse Taunton); Cheeky Little Brown (UK Tour); The Life Sporadic of Jess Wildgoose (Pleasance London and Pleasance Edinburgh); DNA (Tara Theatre), After The Act (New Diorama Theatre and Traverse Theatre, Edinburgh); Blow Down (Theatre Royal Wakefield and Leeds Playhouse); The Boys Are Kissing (Theatre503) and Horse-Play (Riverside Studios). Associate Lighting Designs include: Ruckus (UK Tour); The Book Of Will (Shakespeare North Playhouse); Ride (Leicester Curve and Southwark Playhouse); Pigs Might Fly (Theatre Peckham) and When Darkness Falls (UK Tour).

Paul Housden is an Australian multi-instrumentalist composer and singer based in London. He honed his eclectic production and musical skills over many years as a self-produced solo artist and frontman of psych band Gentlemen, achieving national radio play, and playing festivals such as Glastonbury, Green Man and Latitude, and venues such as Electric Ballroom, Paradiso, and Scala. Paul’s wide-ranging compositional style is anchored by his love of vintage sounds and genres ranging from soul, orchestral, to analogue synth scapes. In 2010, Paul scored his first short Muscles directed by his brother Edward Housden, which received official selection at Cannes. Other short scores include Homebodies (Best Narrative Short Nominee, 2016), Playpals (2018) by Yianni Warnock, and Multiplex (2020) by Jed Shepherd. He also composed the themes for ITV2 shows 2Awesome and Dating In The Dark. Recently Paul scored an acclaimed podcast/documentary series called The Super Hero Complex for iHeartMedia, which delves into the bizarre and mysterious world of a gang of self-proclaimed real life super heroes fighting street crime in Seattle. Paul is also a busy ad composer.

Kevin is a theatre and filmed media producer based in London. Theatre credits include: ‘Jab’ (Finborough Theatre, London), ‘Buff’ (Pleasance, Edinburgh), ‘A Queermas Carol’ (Wheatsheaf Hall, London) and ‘Country Music’ (Omnibus Theatre, London). Film credits include: ‘Queer Shame’ and ‘We 3 Queers’ (both Q&T Media).

Roel Fox is an Amsterdam-born Tech Operator, Stage-Manager, Actor-Musician, Composer, Assistant-Director, Music Director and Singing Teacher. His Operator and Stage Manager credits across London Fringe Theatre venues include: South Kentish Town (Arcola), Improbotics: Rosetta Stone (Rich Mix), Pool No Water, Fury, 4:48 Psychosis (Drayton Arms), Don Juan Comes Back From The War (The New Diorama), Wild East (Theatre 503), Buff (The Vaults), Behold! The Monkey Jesus (The Brockley Jack), and Jab (Finborough Theatre). Some of his stage credits include: Vikings at Helgeland (Drayton Arms), The Accidental Death Of An Anarchist (OSO Arts Centre), Hamlet (Tang Xianzu Theatre), and Epic Love and Pop Songs (New Wimbledon Theatre).